Shrek 2, made by DreamWorks Animation, is the only film on the checklist not produced by Disney or Pixar. This is then adopted by an extended definition of domestic violence, produced in our vox pops. We then determine so as to add extra documentary conventions which additionally exhibits the disequilibrium, this is the talking head of Amrit together with her crying and telling the audience about her being abused, this can be emphasised by cinema Verite type footage which supplies the impression that the footage has not been mediated, subsequently creating a sense of authenticity. After studying Bowling for columbine in module 2, we realized with a view to create an ironic level we need something outstanding and at the same time to be assertive, we then determined to have a scene through which Amrit rings a helpline, screaming and panicking in order to interact our viewers this is also executed through have a black screen with subtitles of what is being stated.

When you fancy yourself to be one thing of a Western aficionado, then we welcome you to strive your hand at this quiz. Before her police station scene we attempt to create a way of realism and emotion in which we present flash backs on this non -linear narrative structure followed by vows through which a couple promise to be collectively “in good times and in bad”. Nevertheless resulting from a vague structure and not much planning, we as a gaggle had to begin filming extra footage while we had been in the stages of modifying. Throughout the planning stages of our practical production we decided we would share duties and collectively put forward any concepts and recommendations we had for all our strengths and weaknesses to neutralize. Alternatively my position in the group remained constant when producing concepts. This Documentary was additionally very efficient in offering us ideas as it included many key conventions that we attempted to use such as Montage sequences and Vox pops.

Hence it could possibly be mentioned we were merely background characters within the documentary, and though we were involved within the manufacturing off it we were not proven on screen, therefore conforming to the Documentary Mode “Fly on the wall”. To overlap with the theme of the documentary, we felt it was important to call it “It’s a woman’s world”. With the use of, “woman’s world” and its theme of home violence we had been able to create a sense of enigma for each our primary viewers of girls and secondary viewers of men. With the use of extra steady cross-dissolves, we also speeded up the images for it to be eye catching. That is then followed by images of unbiased, smiling girls which is anchored by more non diegetic sound by Shania Twain- “I feel like a woman”. We had nonetheless managed to get hold of sufficient footage, nevertheless it did take lots longer then the group members had expected and this made us realise, the topic we had chosen was not going to be as simple to work on as we initially thought.

The rationale for it’s because we often discovered it exhausting to capture footage, as the vast majority of the time we needed to work round people as oppose to work when it was convenient for us. In 2018, the film was voted the 49th greatest non-English-language film of all time in a poll by BBC Culture involving 209 critics in forty three countries. The group however did think about choosing the BBC as the establishment for our documentary, however we did realise that the Documentary isn’t the sort to be aired on a Public Service Broadcaster as it doesn’t intend to cater to all types of Audiences wants. Though we additionally purpose to teach and inform our viewers by way of the documentary, it was clear that resulting from the actual fact the documentary was concerning music, the documentary was bound to contain a extra entertaining essence to it as oppose to Educating and informing. We also took nice influence from a Gurinder Chadha Documentary, entitled “ I’m British But”. From our studies in Module 2 the group took a great deal of influence and Inspiration from Michael Moore’s Bowling for Columbine and our brief outlook on Dziga Vertov’s Documentary “ The man with a movie camera”.